Permanent Exhibitions
18 Rue des Orfevres-Mougins (Provence)
Scheduled events 2009-2010
2009
January
- Milano - Archivi del 900, "Encounter
with four artists"
March
- Marseille - 9° Salon International
de l'Art
- Milan - March 8th "A tribute to
the Woman through the art"
- Ferrara - Art gallery "il Rivellino",
exhibition: "Matter and art"
April:
- Milano - Expo Arte Corvetto 2009
May:
- Milan - Exhibition at Zamenhof
art gallery
- Milano - Event for art collectors at
Arte Reale Association
June:
- Milan - Auction at Christie's
August::
- Cannes - Stand at "Cannes Art Fair"
September:
- Milan - Exhibition at Sassetti
Foundation
October:
- Milano - Exhibition at Diocesan
Museum
November:
- Reggio Emila - Stand at fair "Immagina
ARTE"
December:
- Mantova - Exhibition at Diocesan
Museum Francesco Gonzaga
2010
- Marseille - "10° Salon International de
l'ART"
He was born, lives and work in Milan. For some
year now, he has identified himsel in a personalized figurative that aims
to express states of mind and human attitudes through the synthesis/essential
of the human figure. He has received many aknowlegements and awards. His
work have been and are exhibited in countless galleries and artistic show
rooms.
Critical comment by Professor Vittorio Sgarbi.
Lucio Oliveri è uno scultore che utilizza
il bronzo senza essere prigioniero di finalità puramente estetiche,
ma per consentire all'osservatore di apprezzare la consistenza e le potenzialità
espressive di questa materia. La superficie di questi lavori è in
parte rugosa, dove l'ombra viene imprigionata e conservata, in parte liscia
e specchiante, dove la luce gioca di riflesso. Prima di parlare della....
click
here to continue
Vittorio Sgarbi
THE SOLID SHAPE OF AIR
... Right from the start Oliveri had the good
fortune to reveal the creative ability to blend form and content in a structurally
achieved vision. Though his initial training was eminently classical, he
went on to develop a personal take on sculptural form that was the product
of exquisite sensibility combined with manual skills, which by focusing
on the essence, eschewes the merely decorative and fluorishes to highlight
the figural content of the work. All this has helped him to create sculpture
thet needs no signature to be instantly recognisable as his own in its
significance and immediacy of form ...
What sets Oliveri apart from other twentieth
century sculptors is a distinctive vocabulary that operates at two levels
of meaning. On the one hand, the fragmentation that allow individual body
parts to act as expressive underlinings. And, at another level, a poetic
narrative invention that offers the viewer empty space as a concealment
of the unsaid, so that paradoxically, it is precisely that vacancy which
engages the viewer in a dialogue that although expressed in symbols, is
entirely explicit...
Paolo Levi
Critics and photographs and have been extracted from the
Monographic Book "Lucio "Oliveri"
Giorgio Mondadori. - Press 2004
The monografic book has been presented to Art Critics at Palazzo Barberini in Rome on June 16, 2004.
clik here to look
at the pictures of the cerimony
